I’ve been meaning to write this review for sometime, having finished this book upon our arrival in Singapore (just over 3 weeks ago now) but what with moving to a new country and everything that comes with it, I just hadn’t found the time. Then, this morning I went onto Google, and discovered that today is Diego Rivera’s 125th birthday (bit random – you have to love Google) and thought ‘I have to blog about this book today’ … you’ll understand why soon!
The Lacuna is written by Barbara Kingsolver, and tells of the life of Harrison Shepherd, an American boy growing up in Mexico in the 1930′s. His mother Salome is a social-climbing flapper girl, who sees Harrison as a bit of liability – a quiet, introverted boy who is curious about the world around him – often giving him cigarettes instead of dinner. The pair bounce from place to place, as Salome takes up with various rich men, moving from a coastal jungle town, to Mexico City, to Virgina, and back to Mexico again. Harrison is the complete opposite of his mother, quiet and thoughtful. He spends much of his time recording events and observations in his notebooks, which form the backbone of the book. He is a likeable character, and quickly acquires a random assortment of skills from helping the servants in the kitchen, running errands, and one fateful day, mixing plaster for Diego Rivera, who is painting a mural.
Harrison soon finds himself firmly ensconced in the Rivera household, working as a cook for Diego Rivera and his wife Frida Kahlo, and then later as secretary to exiled Russian Marxist and politician, Lev Trotsky. I had enjoyed the book up to this point tremendously – Kingsolver paints a beautifully rich picture of Mexico. I could almost feel the scorching, dry heat, and see the higgledy-piggedly streets in my mind’s eye – but for me, this is where the book becomes brilliant. I loved how she cleverly weaves fact and fiction together, to create something captivating. I loved reading about the day-to-day happenings of this extraordinary household, getting the know the characters of Kahlo and Trotsky, who I must confess I knew very little about before reading this book. I completely fell in love with them. This arrangement fascinated me – I wondered how Rivera and Kahlo, famous Mexican painters, had come to live with Lev Trotsky, exiled from Russia. What is even more extraordinary is how their lives interacted, with Kahlo and Trotsky embarking on a short affair.
The start of World War II eventually forces Harrison to leave Mexico and move to America, where he eventually settles in Asheville, North Carolina. Here Harrison settles into a new life as a writer, under the watchful eye of his sternographer, Violet Brown. Violet becomes Harrison’s sole support as he writes his novels, deals with his own burgeoning celebrity, and then later comes up the scrutiny of Edgar Hoover and the ‘House of Un-American Activities Committee’. Harrison is eventually vilified by these investigations and accused of ‘communist’ behaviour. In an attempt to preserve his name he instructs Violet to burn all his diaries and papers, but unbeknownst to him, she saves them and creates the story from them, following his death. There are sections of Harrison’s life missing – gaps, or lacunae – hence the book’s title.
This novel is very much about the struggle Harrison Shepherd has trying to find an identity that he is comfortable in, and one that allows him to connect with and celebrate his past, in an atmosphere of suspicion and political upheaval.
I loved this book. I loved escaping into the fact/fiction world of pre-war Mexico. I loved learning about a place in history that I knew very little about, and some fabulous artists, who I was broadly ignorant about until reading this. Books that draw me in but teach me something at the same time are always winners with me. There is a great interview with Barbara Kingsolver on the Faber & Faber website about The Lacuna, and having read it I think I appreciate this book even more.













